Their Eyes Were Watching God By Zora Neale Hurston Essays

Their Eyes Were Watching God by Zora Neale Hurston "I am Me, My Eyes Toward God" Zora Neale Hurston an early twentieth century Afro-American feminist author, was raised in a predominately black community which gave her an unique perspective on race relations, evident in her novel, Their Eyes Were Watching God. Hurston drew on her on experiences as a feminist Afro-American female to create a story about the magical transformation of Janie, from a young unconfident girl to a thriving woman. Janie experiences many things that make her a compelling character who takes readers along as her companion, on her voyage to discover the mysteries and rewards life has to offer. Zora Neale Hurston was, the daughter of a Baptist minister and an educated scholar who still believed in the genius contained within the common southern black vernacular(Hook http://splavc.spjc.cc.fl.us/hooks/Zora.html). She was a woman who found her place, though unstable, in a typical male profession. Hurston was born on January 7, 1891 in Eatonville, Florida, the first all-incorporated black town in America. She found a special thing in this town, where she said, "? [I] grew like a like a gourd and yelled bass like a gator," (Gale, 1). When Hurston was thirteen she was removed from school and sent to care for her brother's children. She became a member of a traveling theater at the age of sixteen, and then found herself working as a maid for a white woman. This woman saw a spark that was waiting for fuel, so she arranged for Hurston to attend high school in Baltimore. She also attended Morgan Academy, now called Morgan State University, from which she graduated in June of 1918. She then enrolled in the Howard Prep School followed by later enrollment in Howard University. In 1928 Hurston attended Barnard College where she studied anthropology under Franz Boas. After she graduated, Zora returned to Eatonville to begin work on anthropology. Four years after Hurston received her B.A. from Barnard she enrolled in Columbia University to begin graduate work (Discovering Authors, 2-4) . Hurston's life seemed to be going well but she was soon to see the other side of reality. Hurston never stayed at a job for too long, constantly refusing the advances of male employers, which showed part of her strong feminist disposition. But Hurston was still seeking true love throughout her travels and education. At Howard University, Hurston met Herburt Sheen whom she married on May 19, 1927 in St. Augstine, Florida (DA, 2). They divorced shortly after they got married because they could not continue the idealistic dreams they had shared in their youth. Zora Hurston's second marriage to Albert Price III was also short lived. They were married in 1939 and divorced in 1943 (DA, 2). By the mid-1940s Hurston's writing career had began to falter. While living in New York, Hurston was arrested and charged with committing an immoral act with a ten-year-old boy. The charges were later dropped when Hurston proved that she was in another country at the time the incident allegedly took place (Discovering Authors, 3). Hurston already was witnessing the rejection of all of her wor ks submitted to her publisher, but the combined effects of the arrest and the ensuing journalistic attack on her image doomed the majority of her literary career. She wrote to a friend: "I care nothing for writing anything any more? My race has seen fit to destroy me without reason, and with the vilest tools conceived by man so far" (Discovering Authors, 4). In approximately 1950 Hurston returned to Florida, where she worked as a cleaning woman in Rivo Alto. She later moved to Belle Glade, Florida, in hopes of reviving her writing career. She failed and worked as many jobs including: newspaper journalist, librarian, and substitute teacher (Baker, http://www.prodigy.com/ pages.html/chronology.htm). Hurston suffered a stroke in 1959 which demanded her admittance in the Saint Lucie County Florida Welfare Home. She died a broken, penniless, invalid in January 1960 (DA, 5). All of Hurston's trials built the basis for her best work. Therefore, the work that has denoted her as one of the twentieth century's most influential authors did not come until after she had graduated from college. However, the literature she

A Rising Pharmacist Essay Example

A Rising Pharmacist Essay Example A Rising Pharmacist Essay A Rising Pharmacist Essay Today many people are sick and disabled. IVe seen many people that have become sicker than what they normally were. Illness brings problems that can be quite devastating, and it can lead to depression. IVe always question my self and asked myself, Will these problems disappear? Who can help these people? Are there solutions to decrease the sickness faced by people of today? I know that some day these problems will disappear, and we will become healthy individuals. The health of others is my greatest concern because it affects this world for them and not only for The health of others around me has such a great effect that I want to become a pharmacist. I plan to obtain skills in such areas of pharmacy that will promote a better heath rate. In the field of pharmacy, I wish to change the hardships and the complication that patients have in order for them to receive medications. I want to make the prices lower but at the same time heal the patients. l, being a part of the pharmacy departments, will change the hopes today of patients. Then they too can have a chance ofa happy ending life. I am very please to have the option of becoming a pharmacist. IVe had many things taught to me that ensure me of becoming a great pharmacist. At the complex center in Woodville, Mississippi, I was accredited with skills such as drug calculations, drug classification, and terminology of medical terms. I competed in the HOSA bowl and was placed fourth out of twenty students in the pharmacology area. I am sure that with my skills IVe obtained, I will become the best pharmacist there is. By becoming a pharmacist, the health of others will become very hopeful because I will make it my obligation to implement the best drugs.

Quotes from Jack Kerouacs On the Road

Quotes from Jack Kerouac's On the Road On the Road  is a stream of consciousness novel written by Jack Kerouac. It is considered a seminal novel of the Beat Generation, famed for their informal style, and these are some of the most famous quotes from this philosophically chronicled journey. Jack Kerouac, On the Road, Ch. 1 I was beginning to get the bug like Dean. He was simply a youth tremendously excited with life, and though he was a con-man, he was only conning because he wanted so much to live and to get involved with people who would otherwise pay no attention to him. Jack Kerouac, On the Road, Part 1, Ch. 1 They danced down the streets like dingledodies, and I shambled after as Ive been doing all my life after people who interest me, because the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones that never yawn or say a commonplace thing, but burn, burn, burn... Jack Kerouac, On the Road, Part 1, Ch. 1 Besides, all my New York friends were in the negative, nightmare position of putting down society and giving their tired bookish or political or psychoanalytical reasons, but Dean just raced in society, eager for bread and love. Jack Kerouac, On the Road, Part 1, Ch. 1 Somewhere along the line I knew thered be girls, visions, everything; somewhere along the line the pearl would be handed to me. Jack Kerouac, On the Road, Part 1, Ch. 3 And as I sat there listening to that sound of the night which bop has come to represent for all of us, I thought of my friends from one end of the country to the other and how they were really all in the same vast backyard doing something so frantic and rushing-about. Jack Kerouac, On the Road, Part 1, Ch. 3 I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didnt know who I was- I was far away from home, haunted and tired with travel, in a cheap hotel room Id never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didnt know who I was for about fifteen strange seconds. Jack Kerouac, On the Road, Part 1, Ch. 7 The air was soft, the stars so fine, the promise of every cobbled alley so great, that I thought I was in a dream. Jack Kerouac, On the Road, Part 1, Ch. 9 They were like the man with the dungeon stone and gloom, rising from the underground, the sordid hipsters of America, a new beat generation that I was slowly joining. Jack Kerouac, On the Road, Part 1, Ch. 9 We fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. We were on the roof of America and all we could do was yell, I guess- across the night... Jack Kerouac, On the Road, Part 1, Ch. 10 Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk- real straight talk about souls, for life is holy and every moment is precious. Jack Kerouac, On the Road, Part 1, Ch. 12 A pain stabbed my heart, as it did every time I saw a girl I loved who was going the opposite direction in this too-big world. Jack Kerouac, On the Road, Part 1, Ch. 13 LA is the loneliest and most brutal of American cities; New York gets god-awful cold in the winter but theres a feeling of wacky comradeship somewhere in some streets. Jack Kerouac, On the Road, Part 1, Ch. 13 The stars bent over the little roof; smoke poked from the stovepipe chimney. I smelled mashed beans and chili. The old man growled... A California home; I hid in the grapevines, digging it all. I felt like a million dollars; I was adventuring in the crazy American night. Jack Kerouac, On the Road, Part 1, Ch. 13 We turned at a dozen paces, for love is a duel, and looked at each other for the last time. Jack Kerouac, On the Road, Part 1, Ch. 13 Isnt it true that you start your life a sweet child, believing in everything under your fathers roof? Then comes the day of the Laodiceans, when you know you are wretched and miserable and poor and blind and naked, and with the visage of a gruesome, grieving ghost you go shuddering through nightmare life. Jack Kerouac, On the Road, Part 2, Ch. 3 Whither goest thou, America, in thy shiny car in the night? Jack Kerouac, On the Road, Part 2, Ch. 4 The one thing that we yearn for in our living days, that makes us sigh and groan and undergo sweet nauseas of all kinds, is the remembrance of some lost bliss that was probably experienced in the womb and can only be reproduced (though we hate to admit it) in death. Jack Kerouac, On the Road, Part 2, Ch. 4 I like too many things and get all confused and hung-up running from one falling star to another till I drop. This is the night, what it does to you. I had nothing to offer anybody except my own confusion. Jack Kerouac, On the Road, Part 2, Ch. 4 I want to be like him. Hes never hung-up, he goes every direction, he lets it all out, he knows time, he has nothing to do but rock back and forth. Man, hes the end! You see, if you go like him all the time youll finally get it. Jack Kerouac, On the Road, Part 2, Ch. 5 Life is life, and kind is kind. Jack Kerouac, On the Road, Part 2, Ch. 6 We were all delighted, we all realized we were leaving confusion and nonsense behind and performing our one noble function of the time, move. Jack Kerouac, On the Road, Part 2, Ch. 6 Why think about that when all the golden lands ahead of you and all kinds of unforeseen events wait lurking to surprise you and make you glad youre alive to see? Jack Kerouac, On the Road, Part 2, Ch. 8 What is that feeling when youre driving away from people and they recede on the plain till you see their specks dispersing?- its the too-huge world vaulting us, and its good-by. But we lean forward to the next crazy venture beneath the skies. Jack Kerouac, On the Road, Part 2, Ch. 9 It seemed like a matter of minutes when we began rolling in the foothills before Oakland and suddenly reached a height and saw stretched out ahead of us the fabulous white city of San Francisco on her eleven mystic hills with the blue Pacific and its advancing wall of potato-patch fog beyond, and smoke and goldenness of the late afternoon of time. Jack Kerouac, On the Road, Part 2, Ch. 10 And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels... Jack Kerouac, On the Road, Part 2, Ch. 10 I realized that I had died and been reborn numberless times but just didnt remember because the transitions from life to death and back are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. Jack Kerouac, On the Road, Part 3, Ch. 1 At lilac evening I walked with every muscle aching among the lights of 27th and Welton in the Denver colored section, wishing I were a Negro, feeling that the best the white world had offered was not enough ecstasy for me, not enough life, joy, kicks, darkness, music, not enough night. Jack Kerouac, On the Road, Part 3, Ch. 1 Then a complete silence fell over everybody; where once Dean would have talked his way out, he now fell silent himself, but standing in front of everybody, ragged and broken and idiotic, right under the lightbulbs, his bony mad face covered with sweat and throbbing veins... Jack Kerouac, On the Road, Part 3, Ch. 4 Holy flowers floating in the air, were all these tired faces in the dawn of Jazz America. Jack Kerouac, On the Road, Part 3, Ch. 5 Our final excited joy in talking and living to the blank tranced end of all innumerable riotous angelic particulars that had been lurking in our souls all our lives. Jack Kerouac, On the Road, Part 3, Ch. 5 They have worries, theyre counting the miles, theyre thinking about where to sleep tonight, how much money for gas, the weather, how theyll get there- and all the time theyll get there anyway, you see. Jack Kerouac, On the Road, Part 3, Ch. 5 Offer them what they secretly want and they of course immediately become panic-stricken. Jack Kerouac, On the Road, Part 3, Ch. 5 Our battered suitcases were were piled on the sidewalk again; we had longer ways to go. But no matter, the road is life. Jack Kerouac, On the Road, Part 3, Ch. 5 You dont die enough to cry. Jack Kerouac, On the Road, Part 3, Ch. 10 Once there was Louis Armstrong blowing his beautiful top in the muds of New Orleans; before him the mad musicians who had paraded on official days and broke up their Sousa marches into ragtime. Then there was swing, and Roy Eldridge, vigorous and virile, blasting the horn for everything it had in waves of power and logic and subtlety- leaning into it with glittering eyes and a lovely smile and sending it out broadcast to rock the jazz world. Jack Kerouac, On the Road, Part 3, Ch. 10 Here were the children of the American bop night. Jack Kerouac, On the Road, Part 3, Ch. 10 Every now and then a clear harmonic cry gave new suggestions of a tune that would someday be the only tune in the world and would raise mens souls to joy. Jack Kerouac, On the Road, Part 3, Ch. 11 Her great dark eyes surveyed me with emptiness and a kind of chagrin that reached back generations and generations in her blood from not having done what was crying to be done- whatever it was, and everybody knows what it was. Jack Kerouac, On the Road, Part 3, Ch. 11 What difference does it make after all?- anonymity in the world of men is better than fame in heaven, for whats heaven? whats earth? All in the mind. Jack Kerouac, On the Road, Part 4, Ch. 1 Whats your road, man?- holyboy road, madman road, rainbow road, guppy road, any road. Its an anywhere road for anybody anyhow. Jack Kerouac, On the Road, Part 4, Ch. 2 Here was a young kid like Dean had been; his blood boiled too much for him to bear; his nose opened up; no native strange saintliness to save him from the iron fate. Jack Kerouac, On the Road, Part 4, Ch. 4 We were already almost out of America and yet definitely in it and in the middle of where its maddest. Hotrods blew by. San Antonio, ah-haa! Jack Kerouac, On the Road, Part 4, Ch. 5 Behind us lay the whole of America and everything Dean and I had previously known about life, and life on the road. We had finally found the magic land at the end of the road and we never dreamed the extent of the magic. Jack Kerouac, On the Road, Part 4, Ch. 5 In myriad pricklings of heavenly radiation I had to struggle to see Deans figure, and he looked like God. Jack Kerouac, On the Road, Part 5 I was standing on the hot road underneath an arc-lamp with the summer moths smashing into it when I heard the sound of footsteps from the darkness beyond, and lo, a tall old man with flowing white hair came clomping by with a pack on his back, and when he saw me as he passed, he said, Go moan for man, and clomped on back to his dark. Did this mean that I should at last go on my pilgrimmage on foot on the dark roads around America? Jack Kerouac, On the Road, Part 5 So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, and all the people dreaming in the immensity of it... and tonight the starsll be out, and dont you know that God is Pooh Bear?

Research Methods Essay Example | Topics and Well Written Essays - 1750 words - 4

Research Methods - Essay Example Whilst he acknowledges that legal compliance and laws may provide a correlation to state behaviour and international politics, Waltz feels that is theory that explains them and to this end attempts to reconstruct classic realism through a somewhat scientific approach. Therefore, Waltz’s book seeks to go beyond the classic realist position of politics in terms of state characteristics and state interaction with each other. Therefore Waltz’s central theory of neo-realism in international politics is underpinned by Waltz’s proposition that the system of international politics is inherently dependent on a system of anarchy. This system of anarchy according to Waltz effectively creates the international order of hierarchy, which is further defined by states who are unitary rational actors on the one hand and rational actors on the other. To this end, Waltz’s discussion of the Cold War highlights his propensity towards viewing the international political order from a systemic perspective as opposed to considering the intentions of individual states and human behaviour, which is arguably the inherent weakness of the book in context of contemporary international politics. For example, in focusing on the international politics as a whole state system as opposed to individual state level factors, Waltz avoids assumptions about human nature and morality and power in international politics. Waltz’s neo-realist paradigm proposes that the central factor in international politics is security and whilst gathering power, often results in destructive effects. Therefore, in propounding the idea that state survival is imperative in international politics, Waltz suggests that gathering power isn’t prominent however the goal of survival necessarily results in power being obtained by default. To this end, Waltz’s theory posits that the international system is the dominant factor, which he

Analysis of a viral phenomenon Assignment Example | Topics and Well Written Essays - 750 words

Analysis of a viral phenomenon - Assignment Example Christopher van Cannistraro claims that â€Å"Bert is Evil is a photoshopping trend that involves superimposing an image of Sesame Street character Bert into scenes of disasters like JFK’s assassination and Oklahoma City bombings in similar vein to Disaster Girl† (n.p.). Originally that is considered to be â€Å"featuring short, humorous backstories for each Bert is Evil image posted on the site† (Cannistraro, n.p.). The initial idea has been to create meme for the sake of humor and mockery on the cruel and ruthless actions. Sesame Street is regarded as a television show for children and Ignacio’s intentions have been to display global problems or highly serious hurdles of a particular society into the dimension of children perception. It is surely that such jokes are remained to be adult, but the hero from child’s program brings another vision of this or that problem. Still, â€Å"By the summer of 1998, the original website’s bandwidth costs became too expensive for Ignacio to keep the website running. Instead of taking it down, he offered anyone who was willing to mirror the website permission to host it† (Cannistraro, n.p.). BertisEvil.tv, AngelFire and Archive.org have mirrored the web site with pleasure and since that time a huge number of different variations has begun to be introduced to people on television and through the internet. Bert is Evil memes have attained a high popularity in the world in general and in USA particularly. The image of Bert has been regarded as â€Å"a dark genius who is connected to several high-profile personalities† (BBC, n.p.). This memes have the appreciation in society, especially the young generation do like this phenomenon. The internet is considered to be a big power with a huge rang of opportunities. That is why these small memes have been widely spread in the society. It should be admitted that Bert is Evil has reached its peak in October 2001 (BBC, n.p.). The news that â€Å"Bert, from the US childrens

Canadian Businesses and Technology Essay -- Economy

Canadian Businesses and Technology Technological changes today, and in the near future, will be the greatest influence on Business as we know it. With the development of computers and robots, the requirements for many industries will fill up extremely quickly. By having machines to perform complex and monotonous operations by humans, industries will seek out their aid and most likely affect the emplyoment rate both ways. There is no question that many individuals will lose their jobs but at the same time new options will arise. An example would be the development of the Telstat Telecommunications satellite which opened the door for many unemployed citizens who possessed the key ingredient to hold down such a job. This ingredient would be based upon Toffler's thesis that information is the most valuable aspect our lives and that wealth is insignificant compared to the rewards of knowledge. There is an abudance of positions available to Canadians that cannot be completed by computers (at least, for the time being) and therefore, our standard of living and qualit...

How does samules shape the ending to Act 1 and how effective do you find it? Essay

How does Samuels shape the ending to Act 1 and how effective do you find this ending? (30 marks) Samuels uses different ideas and techniques in order to shape the ending in order to make it an effective piece of writing. He creates suspense and emotion in order for the audience to feel attached to the plot and show the true feelings of the characters. Samuels does this by not only highlighting the vast emotions of both charters but also mixes this with a novel called ‘The Rat-catcher’. This book was one from Evelyn’s childhood and both she and Eva were haunted by it throughout her life. The first way in which Samuels shapes the ending of Act 1 is by exaggerating the drama and emotion of the situation in order to emphasis the great truth that is revealed in this situation; that Faith is a Jew, effected by the Holocaust. For example Faith says, â€Å"Jesus. How could I possibly not be a bad child with such a terrible mother?† Then later in the conversation, â€Å"I could kill you†. During this last section the truth is being revealed to Faith of her past, of her being a Jew and of her grandfather’s death during the holocaust which had been otherwise hidden from her previously. Here Samuels highlights the flying and rising emotions of the conversation, in order to spark a more interesting and viewable final act. Another way in which Samuels shapes the ending of Act 1 is by creating a link between Eva, Evelyn and the dreaded Rat-catcher, in an on stage masterpiece. He uses the layouts of the play to not only create drama between the same person, in different periods of time but also between them and a mythical being. For example, Evelyn: â€Å"He’s not coming† and Eva: â€Å"He’ll burn my fingers till they melt†. Here both characters are talking about someone who does not actually appear to them but is rather just a being that gets inside their consciences in order to question what they are doing. This means that a dramatic contrast is created between Eva and Evelyn, the past and present, which impacts by allowing the audience to understand the difficultly between the choose of leaving her old life behind of facing the reality of what is a daughter discovering her hidden past.